Kinsley translates Bagalamukhi as "she who's got the face of the crane". Bagalamukhi is never depicted using a crane-head or with cranes. Kinsley thinks which the crane's behaviour of standing however to catch prey is reflective on the occult powers bestowed by the goddess.[5] Sati was enraged because he https://rowan13xk6.blogprodesign.com/45329956/details-fiction-and-mahavidya